Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
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Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe Autumn/Winter 2010-2011
Susanne Wiebe exercises herself again and again in a venturesome walk at the borderline between classic and provocating: “Mixing materials with signaling effect, pleated fabric to lacquer leather, laxity to acerbity,
Susanne Wiebe exercises herself again and again in a venturesome walk at the borderline between classic and provocating: “Mixing materials with signaling effect, pleated fabric to lacquer leather, laxity to acerbity, strong-coloured appearances and the favourite colour black in all alternatives, fulminant artprints to black, Shanghai photoprints of the artist Hans M. Bachmayer in all fabrics to orchid, iris and bloodyred.
