Victor Alfaro Spring 2016 Collection

Victor Alfaro 2016 Spring Collection
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VICTOR ALFARO  New York 2016 SPRING Collection
VICTOR ALFARO  2016 SPRING Collection
VICTOR ALFARO  New York SPRING Collection
VICTOR ALFARO  2016 New York Collection
VICTOR ALFARO  SPRING New York Collection
VICTOR ALFARO  Latest New York 2016 SPRING Collection
New York VICTOR ALFARO  2016 SPRING Collection
New York VICTOR ALFARO  2016 Collection
New York VICTOR ALFARO  SPRING Collection
New York SPRING VICTOR ALFARO  2016 Collection
New York Latest VICTOR ALFARO  SPRING Collection
New York Latest 2016 VICTOR ALFARO  SPRING Collection
2016 VICTOR ALFARO  New York SPRING Collection
2016 VICTOR ALFARO  SPRING Collection
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2016 SPRING VICTOR ALFARO  New York Collection
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2016 Latest VICTOR ALFARO  New York Collection
2016 Latest New York VICTOR ALFARO  SPRING Collection
SPRING VICTOR ALFARO  2016 Collection
SPRING VICTOR ALFARO  2016 New York Collection
SPRING New York VICTOR ALFARO  Collection
SPRING VICTOR ALFARO  Latest 2016 New York Collection
SPRING VICTOR ALFARO  New York Latest 2016 Collection
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Latest VICTOR ALFARO  Collection 2016
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Latest Collection New York 2016 by VICTOR ALFARO

Victor Alfaro Collection for New York Fashion Week Spring 2016

However I touch things, they always look very polished. I just can’t help it.” So noted comeback kid Victor Alfaro after his show today, and indeed, the collection he presented proved his point. The greatest part of the appeal of these clothes was their immaculateness, discovered in the perfect body-skimming fit of a bias-cut silk gown or the piping detail on a white cotton jumpsuit or, of course, in any of Alfaro’s signature knits. Of the latter, the most eye-catching pieces were the dressy sweaters embellished with ribbon embroidery or dangling bugle beads, or patchworked together with lace; the items that stuck with you, however, were the ones that summoned a more monumental effect.

Alfaro has a talent for the statuesque, which he deployed here in (seemingly) simple silk gowns with graphic windowpane insets, terrific long-line jumpsuits and likewise lean cashmere gilets, and various voluminous pants. Tee-shaped dresses and quilted cargo pants introduced a sportier tone, but they still had a certain Georgia O’Keeffe-wandering-the-New-Mexico-desert vibe, one that was ramified by garments such as a floor-length knit cape. (Ellsworth Kelly, meanwhile, provided the punch of yellow and orange in the collection’s palette.) The aura of self-possession in Alfaro’s clothes will, alongside his knits, remake his name in time this ’90s wunderkind seems to be taking the long view and making clothes not so much for this, or any particular, moment, but ones built to last.

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